I've been hosting a DnD campaign with a group of college friends for almost a decade at this point. Since we've all moved away, we use Tabletop Simulator to play weekly.
In one of my adventures, the players met a creature named Dorian with the same backstory as the classic tale The Picture of Dorian Gray. Later, the players discovered the secret to the creature's immortality was an indestructible painting of the creature.
Nearly a month before encountering this creature, my players had explored a random dungeon I’d made where one of the rooms had a huge, ornate mirror on the wall. It made everything in the reflection appear older, covered in a layer of cobwebs and dust.
Although this was not the primary solution to defeating Dorian, I laid subtle clues to see if anyone would remember that far back. Well, one of them did in fact remember the dungeon. They stole the painting and brought it back to the dungeon along with a secondary mirror. They then placed the mirrors across from each other along with the painting to create a sort of “hall of mirrors” effect on the painting itself, which caused the painting of Dorian to accelerate in age—creating a feedback loop that infinitely aged Dorian (think drinking from the wrong Holy Grail).
It was amazingly satisfying to all my players, and it's also the exact sort of thing that I don't think the current batch of SOTA LLMs (even with the temperature cranked to 1) would ever think of in a MILLION years.
That actually seems like it'd be a pretty easy one for an LLM to get to. I tried
You are a highly intelligent and creative D&D campaign planner. Imagine a creature that is immortal with mechanics like The Picture of Dorian Gray - its soul is protected in a painting and that gives its body immortality. Please brainstorm some interesting ways to defeat this antagonist that might connect to other aspects of a campaign, suggesting new ideas.
It seems quite reasonable that a large modern LLM could come up with exactly that idea in far less than a million years. Art, mirrors and defacing art are all pretty standard sounding themes for handling that sort of monster.
Furthermore, the true test of the LLM would have been to devise both deciding to use a "Dorian Gray" type creature along with an appropriate mechanism for its demise.
IMHO, you've guided it by posing that this monster exists within the world. I'd like to see an entire campaign devised by an LLM - no guidance necessary. I don't know what small model you are using (mistral, vicuna, etc) but try asking it to create a list of monster based encounter/puzzles.
This is why I think the current batch of LLMs aren't really capable of being more than an assistant at best for writing. Interestingly I actually think AI dungeon released back in 2019 was far more capable in this regard and IIRC used a significantly older model - GPT 2.0.
11. *The Art of Decay*: The Portrait's soul is tied to the painting, but what if the players could use the painting's power to accelerate the decay of The Portrait's physical form? This could involve using a powerful magical effect or finding a way to imbue the painting with a magical property that would accelerate the decay process.
in the brainstorm. I don't think it'd take a million years; it's got the concepts and it is trying to put them together with only 5 attempts so far; and that is only 2Gb of weights on a relatively cheap GPU.
As for coming up with an entire campaign that copys an idea from Wilde, well it depends and I'd agree that is a task that would want a human in the loop. It does seem difficult to do in one prompt - but I think a million years is wildly overestimating the novelty of the campaign you're describing. It is actually damn hard to come up with good, novel ideas and the odds are the LLMs have literally seen variants of the Dorian Grey idea 100 times.
I will admit that a million years was a bit of hyperbole.
I have not seen convincing cases of LLM's being capable of orginality. But they do have a lot of originality in their training data.
I don't think there is something "truly original" but in this concrete case, I suspect something very similar was in the training data.
While you're asking to find creative ways to get rid of the player, I think what LLMs are unable to do (at this point?) is to come up with the idea of an aging mirror, let it sit for a while and only then get back to it when they met its attached character.
The dungeon master did not follow a track of events but rather picked interesting somewhat random contents and moments from the campaign and picked them up to create new story lines.
That doesn't seem like something an LLM would do easily.
If you design the system to have this exact quality (among many others), where clues are dropped earlier in the quest line for later quests. It's a matter of breaking up the prompts and iteratively refining the outputs.
Not only is this boring (it gives players less opportunities for making high-stakes decisions during the fight) - it also makes it harder on GMs to balance encounters.
If you let players and enemies decide to flee or negotiate at any point - the encounters can be much more deadly without turning into TPKs. Players now have more decisions to make on each round (and they can debate during the fight if they should run or not - which is a potential for great roleplaying moment).
And when they decide to run - a successful retreat is an interesting tactical challenge by itself allowing players to use abilities and combos that they seldom need during traditional fight.
One of my favorite moment of roleplay was when our barbarian was arguing with our curious druid whether to check out a very sketchy haunted manor. Eventually they went in and there was a huge battle, druid (against the rest of the team) poured blood into a well and a demon appeared. Half the party started running, other half was fighting with the demon minions, the demon started bargaining with the druid for his soul, barbarian started to run but after 2 turns turned back and tried to fight the demon while the rest of the party also went back and disabled druid to save him.
Eventually the party escaped from the manor (killing the demon was out of the question, it was obviously too powerful).
Our DM was always telling us he never balances the encounters - it's on us to escape in time :) And there were MANY dead PCs. Some players were on their 3rd character by the end of 1.5 year campaign.
Resurecting a dead PC was a major plot point - we had a noble lady from one of the most important NPC noble houses in our party, and she died. We tried resurecting her, but one of the players had to sacrifice something (we rolled d100 and only that player managed over 95, to persuade the god to resurect the character he had to promise to become a priest of that god - and he did multiclassed because of this). The god was basically Loki, and he tricked us - the player character was ressurected as undead :)
Fairly solved problem outside of DND tbh.
Yes it's easy to fall into the traditional boring "here's 5 orcs, now fight to death" trap, but it's more about the D&D culture than about the system itself.
D&D wasn't my first system (it wasn't popular in Poland - we mostly played WFRP) and I certainly did fall into that trap a lot early on.
I cant comment on Warhams but other RPG's I have played dont really care about encounter difficulty. And I am not even talking about narrative only stuff. But even savage worlds I can go and find 10 wild cards or 20 wild cards or come up with almost any Ace, and its just a matter of player approach as to whether the encounter is difficult or simply deadly. To really create a TPK situation you would need to design enemies specifically to do that.
And I'm also confident that they will not make for good games because the players will find and exploit loopholes. I think LLMs in (video) games are here and here to stay, but they will only be actually beneficial to a game if they are tightly restricted and limited in scope. (no having your ingame partner write your code for you)
Only in D&D where you have so many variables in every direction it's practically impossible.
An easy encounter becomes hard if the players decide to be miserly with their abilities and items.
And a hard one will be easy if someone decides to go all out and use That Item to one-shot the encounter.
Just fudge. I know it might seem dishonest, but I think I fudge at least a little bit in probably 80% of my encounters. The most important thing isn't accuracy from the DM's perspective, it's fun and accuracy from the players' perspective. Unless the players catch wind of the fudging, it literally only has upsides:
- You waste less prep time fine-tuning stat blocks and can spend more time on the interesting and material aspects of prep, like designing NPCs, dungeons, etc.
- It makes the combat encounters more interesting, because encounters that would be super one-sided in either direction are instead close and nail-biting
- It allows you to end a boring encounter quicker or prolong unexpectedly interesting encounters
- You can create cool moments where a monster fails an attack at a crucial moment or succeeds when the odds are stacked against them
...etc. I think well-executed fudging is a complete win-win situation, as long as your players don't find out.
Additionally I always setup encounters with a possible exploit/vulnerability that keenly observant players might notice which will significantly reduce the difficulty of the encounter. If they fail to figure it out, the encounter is far more challenging but still well within the player's capabilities.
It listens to the game, then sends the transcript for inference. I've been prompting the LLM to generate "threats" and "setbacks" based on the current scenario, and that way I always have something handy when the dice[2] indicate fortunes' turn.
I use this for about three hours a week, 50+ weeks in a row. Pretty good for a weekend hack!
0. Https://EchoDelphi.github.io
1. Thank you Hacker Dojo, Mtn. View
2. https://3.bp.blogspot.com/-FyXSpsn-z28/WgfgacmVdtI/AAAAAAAAA...
[1] https://open.substack.com/pub/worldofkamenlandia/p/the-world...
I also find the image generation great for getting a "feel" for what a room / location might look like so I can improvise describing it a bit better.
LLMs are _really_ good at finding words that "go well together" - so use it to come up with a bunch of words to describe the atmosphere of a particular location or the mannerisms of a particular NPC.
The outcome was pretty good. As a language model it had quite a good understanding of tone and context. In fact it ended up adding (without my notice, I was quite tired) a whole layer of subtext, after the game my players were like "Ok now explain the goo!" and it turns out, that in 2 handouts, and 3 scene descriptions GPT had added linked, veiled descriptions of some space goop that I hadnt planned for.
My second thought: how many hours of my life have I spent playing with/against computer game opponents again?
As others have mentioned, I have been using Claude to write some prompts for things, give me some ideas for scenarios with younger players, and name some cities and towns in my campaign.
