I'll get there one day.
And when in Gruyères then one should taste meringues double crème, or fondue in colder months.
And last but not least - its a region of Swiss pre-alps, mountains up to cca 2000m high, lovely hikes all around in picture-perfect nature and fields (government pays farmers to keep it looking nice) and even nearby very nice via ferrata on Moléson peak which I did 2 weeks ago, this time with some snow. It overlooks the castle and whole area from avove. That was interesting and intense experience while being alone on whole mountain.
There's several lifesize necronomicons/xenomorphs, some earlier and later variants, Sil and the skull train, a lot of art that was never used in Alien and sequels but some made it later into Prometheus.
It's definitely a different world though because you’re not supposed to go under budget. If investors give you $100mil to make a movie, they want to maximize the return on that $100mil, so if you’re $5mil under budget, they want you to go and spend that money to make it even better (usually in post production now, but back then it was less of an option).
Does anyone know why Americans do this regularly, swapping i and e especially in words of German origin?
To be fair, German "ie" and "ei" is one of the few special rules which make no sense (or lost their sense in time). The 'e' in 'ie' is Dehnungs-e for elongation, just a notation that the i is longer pronounced (like Wiese, Biene). (Special rule: if ie is at the end of a word like familie (latin familia) often it is a diphtong and both vocals are pronounced).
"ei" is a bit stupid, because it is not pronounced "ei" but like "ai" or "ay" (eg Mayer).
How Deckerd can afford to live in one post economic meltdown is a bit unclear. And those whisky glasses are worth a mint now too.
"Enhance" indeed.
He's part of a precarious minority of semi-technical functionaries, armed bureaucrats afforded generous promotions and great inner leeway amidst the post-meltdown order of things, in return for their unquestioning allegiance to the same
Heh, I can't get enough of them; it's a great visual design template to work from. And visual consistency of properties within a diegetic timeframe has to be taken into account, even if the newer entries' writers' rooms could profit from better talent...
That said, Alien: Isolation is still the best modern infusion into that universe, and one of the best games in my lifetime.
A perfect replika of Alien the original movie and its retrofuturism.
If you haven't seen these two films, you need to fix that this week. It'll change your life.
Scott tried to expand the aesthetics with Prometheus and Covenant. I felt the films did a great job of refreshing the look and feel while remaining faithful to the 80's. Unfortunately, the writing was trite and Scott's directing is averaging .200 at bat these days.
Romulus was not bad, though certainly not a masterpiece. At least it was better written and had better character arcs than Scott's recent films.
I'd rather have the performance of this series than whatever Jurassic Park or Star Wars have become.
Predator, oddly enough, has strangely been improving if you don't count Shane Black's entry.
I'm happy they keep making these, and I hope the writers and directors at the reigns keep experimenting rather than conforming to "safe" or "understandable by a general audience".
https://www.youtube.com/watch?v=NWDsSDNpS8c&lc=UgyEogAS5P_Hm...
Double coincidence: it was I who posted this ten years ago: