> This paper is a review, meaning it synthesizes and interprets existing research rather than presenting new experimental data. The authors themselves note that current visual tests for susceptibility to discomfort are subjective and poorly standardized. They also acknowledge that the proposed mechanism (that discomfort is the brain’s response to overwork) has not been fully tested, particularly the hypothesis that colored tints reduce discomfort by steering visual stimulation away from overactive brain areas. The relationship between the brain’s excitatory and inhibitory chemical signals and visual discomfort also remains, in their words, “unsettled.” Several key research questions are flagged as unresolved, including how to best quantify the real-world impact of visual stress on people’s lives and how to objectively measure susceptibility.
Flickering lights are about the only thing I saw in here that seem like they'd be a problem in the long term. Everything else your brain just adjusts to over time and stops noticing. Maybe the first few days in an office with bright colors would be slightly distracting, but after that you just stop seeing them. I would guess that a lot of the studies they reviewed probably tested people's reactions to these things when they saw them one time, not the hundredth time.
From the article:
"And when the brain encounters something it can’t process efficiently, it doesn’t simply adapt. Brain imaging studies cited in the review show it generates stronger neural responses in visual areas, consumes more oxygen, and in some people produces pain, distortion, or worse."
> And when the brain encounters something it can’t process efficiently, it doesn’t simply adapt. Brain imaging studies cited in the review show it generates stronger neural responses in visual areas, consumes more oxygen, and in some people produces pain, distortion, or worse.
If the studies are of a person's initial exposure to these sorts of conditions, then that doesn't tell us anything about whether people adapt over time (and to be clear I have not read all the studies, but given the limitations listed I'm comfortable assuming they're not incredibly robust until someone tells me otherwise). I suspect the article's use of the word "adapt" is not the same as mine; from the context when they say the brain doesn't adapt they just mean that it shows a response at the time of the particular exposure they're measuring.
Imagine someone claiming the opposite causes dementia, evidenced by reduced oxygen usage and lowered brain activity…
The article doesn't touch much on why modern decor emerged as it did. It's a market response where everyone needs to (or feels the need to) pick up and move at a moment's notice. Companies are either expanding or like to think they'll be expanding soon. People move jobs so often that they have a hard time feeling settled where they are, so they design for that possibility. The modern aesthetic is one of planned impermanence.
I grew up in a house full of the clutter that you describe as comforting, but for me it felt smothering. I recently inherited the house I grew up in and now have it set up much less cluttered. I don’t plan to live anywhere else anytime soon, but for me the lack of clutter and clear spaces are much more comforting.
I am definitely not a fan of crazy colors or patterns or bad lighting either though.
If the thesis was true, we'd expect rich people who will never be compelled to move against their will, or to move into less space, would prefer cluttered homey interiors, and poor people would prefer sparse & modern. In reality, the biggest boosters of modern decor are rich people.
Ordinary folks when presented with an object have to perform a mental calculation over the cost/inconvenience of storage vs. disposal and if wanted again, replacement.
And then on my side, for the past 15 years I moved to a new place about every 2-3 years. Never really invested in making it feel “homey” because I’m not sure how much space I’d have in the next place I move to.
Wut? It's precisely the opposite. Natural patterns have infinite complexity as you zoom in, and human-made patterns (most often) not.
Which is why you can take my adblocker from me when you pry it from my cold dead hands. Much of the modern web is largely straight-up hostile without a proper adblocker these days.
The paper itself is open access: https://www.mdpi.com/2411-5150/10/2/34
This made a big contribution because vertical short-form video feeds require extreme stimuli to get anyone’s attention - but they add nothing to the actual experience and often detract from it.
This has also led to the absolutely horrific acoustics where even in non-nightclub bars and normal restaurants, you have to yell to understand each other because the decor is made of tile, tables and chairs are at odd angles that increase distance, etc.
Everything now is subordinate to the visual environment because that’s what gets shared on Instagram.
Not saying interior design doesn’t matter, but its point should be to create a great overall experience, not to be visually stimulating at the expense of the rest.
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